Saturday, January 16, 2010

Los Angeles gangland,,,,, HUH?

I fukkin lived those streets assholes!! You wanna make money off of that, sell your mothers you pieces of shit!

You can't "look" at that shit anyway, can only try to survive it asswhipe!

Below is quote from some idiot....

NOTE: No way I'm promoting this, no link references at all!

THOMAS WATKINS, Associated Press Writer Thomas Watkins, Associated Press Writer – Sat Jan 16, 4:27 pm ET

LOS ANGELES – Only miles from the scenic vistas and celebrity mansions that draw sightseers from around the globe — but a world away from the glitz and glamour — a bus tour is rolling through the dark side of the city's gang turf.

Passengers paying $65 a head Saturday signed waivers acknowledging they could be crime victims and put their fate in the hands of tattooed ex-gang members who say they have negotiated a cease-fire among rivals in the most violent gangland in America.

If that sounds daunting, consider the challenge facing organizers of LA Gang Tours: trying to build a thriving venture that provides a glimpse into gang life while also trying to convince people that gang-plagued communities are not as hopeless as movies depict.

"There's a fascination with gangs," said founder Alfred Lomas, a former member of the Florencia 13 gang. "We can either address the issue head-on, create awareness and discuss the positive things that go on in these communities, or we can try to sweep it under the carpet."

Several observers have questioned the premise behind the tours, and some city politicians have been more blunt.

"It's a terrible idea," City Councilman Dennis Zine said. "Is it worth that thrill for 65 bucks? You can go to a (gang) movie for a lot less and not put yourself at risk."

More than 50 people brushed aside safety concerns for Saturday's maiden tour to hear how notorious gangs got started and bear witness to the struggling neighborhoods where tens of thousands of residents have been lured into gang life.

The unmarked chartered coach wound its way through downtown. The first sight was a stretch of concrete riverbed featured in such movies as "Terminator" and "Grease," where countless splotches of gray paint conceal graffiti that is often the mark of street gangs and tagging crews.

After that, it was on to the Central Jail, home to many a thug, past Skid Row's squalor and homeless masses and into South Los Angeles, breeding ground for some of the city's deadliest gangs.

Motoring through an industrial area, the bus enters the Florence-Firestone neighborhood, close to the birthplace of the Crips and current home to Florencia 13, a Latino gang that was accused by federal prosecutors of racist attacks against black residents.

Gray warehouses soon merge with single-story stucco homes as the bus heads south. Few gangsters risk hanging out on street corners, as local rules mean they could get arrested even for congregating, but graffiti on walls, road signs and convenience storefronts betray the presence of Florencia 13 and other gangs.

Sieglinde Lemke, 46, an American Studies professor from the University of Freiburg in Germany, said she enjoyed the opportunity to interact with former gang members.

"It brings to life the class divisions you have in America," she said. "This is an area that's blocked out of my mental map of the States. It's important to get a firsthand account of the area."

Junior high school teacher Prisca Ricks, 37, was of two minds about going on the tour after reading critical blog comments about it being "ghettotainment."

But ultimately, she was pleased she went, and said she appreciated the focus on trying to help the community.

Lomas, 45, a respected activist who has worked with the faith-based Los Angeles Dream Center to distribute hundreds of tons of food to low-income families across the inner city, left gang life about five years ago.

He stresses the aim of his nonprofit company is to bring jobs to communities along the route and to reinvest money through micro-loans and scholarships, though he's not sure how the tour will accomplish that. He also eventually wants to start a gallery and gang museum.

He said the tour will create 10 part-time jobs, mainly for ex-gang members working as guides and talking about their own struggles and efforts to reduce violence. The tour is initially scheduled to run once a month.

No tour quite like this runs elsewhere in the country. Chicago has a prohibition-era gangster tour, and another Los Angeles group buses people to infamous crime scenes, including the Black Dahlia murder.

Lomas faces a quandary as he tries to show the troubled history of the area once known as South Central, before politicians renamed it South Los Angeles in 2003 in an attempt to change its deep association with urban strife.

The tour is billed as "the first in the history of Los Angeles to experience areas that were forbidden." But tour leaders don't want it to be voyeuristic and sensational.

"We ain't going on no tour saying, 'Look at them Crips, look at them Bloods, look at them crack heads,'" said Frederick "Scorpio" Smith, an ex-Crip helping narrate, who helped broker the cease-fire among the Grape Street Crips, 18th Street, F13 and the East Coast Crips.

Out of sensitivity to residents, passengers are banned from shooting photographs or video from the bus. The only place that is allowed is near the end of the trip, when they can step off the bus and film an outdoor area where graffiti is allowed.

Stretches of the tour have almost nothing to do with gangs, but instead exploit famous chapters of violence in the city's history, such as a deadly 1974 shootout between police and the Symbionese Liberation Army and the site of the riots that followed the acquittal of officers in the Rodney King beating.

If done right, the tour could highlight the decades-long struggle to solve the gang problem, said civil rights lawyer and gang expert Connie Rice.

Gang crime has fallen in recent years, but groups continue to grow and gain influence. Over the past quarter century, officials in Los Angeles County have spent $25 billion fighting gangs only to see the number of gangsters double to as many as 90,000 and a six-fold increase in the number of gangs.

"If it is carried out well and carefully and carried out with the consent of the community, it could teach people about the very entrenched culture that gangs now have in Los Angeles," Rice said.

City Councilwoman Jan Perry said she would rather tourists see the development potential in the neighborhoods that make up part of her district. About two years ago, she organized her own tour in the area for about 200 real estate agents and business representatives, resulting in the development of buildings with homes and businesses.

"I'd prefer we focus on showing the community in a positive light," she said.


Bull-Shit!

Friday, January 15, 2010

I Haven't

I haven't done too well in love or life or sex.
What I haven't done well has served me well,
least sometimes I think so.

My regrets are true, I must admit.
Confusions uncontrolled.
No excuses, no confessions offered to man.

If I should die then live again, a newer man?
Why bother?
I have never learned from anything.

Why waste my time?

If miles were the roads I've walked,
and then education was some shame.
I still have loved loved end learned to love.
I've nothing else to say....

Bible Possibly Written Centuries Earlier, Text Suggests

The following I took from a news post re-posted from LiveScience.org, located [here].

Scientists have discovered the earliest known Hebrew writing - an inscription dating from the 10th century B.C., during the period of King David's reign.

The breakthrough could mean that portions of the Bible were written centuries earlier than previously thought. (The Bible's Old Testament is thought to have been first written down in an ancient form of Hebrew.)

Until now, many scholars have held that the Hebrew Bible originated in the 6th century B.C., because Hebrew writing was thought to stretch back no further. But the newly deciphered Hebrew text is about four centuries older, scientists announced this month.

"It indicates that the Kingdom of Israel already existed in the 10th century BCE and that at least some of the biblical texts were written hundreds of years before the dates presented in current research," said Gershon Galil, a professor of Biblical Studies at the University of Haifa in Israel, who deciphered the ancient text.

BCE stands for "before common era," and is equivalent to B.C., or before Christ.

The writing was discovered more than a year ago on a pottery shard dug up during excavations at Khirbet Qeiyafa, near Israel's Elah valley. The excavations were carried out by archaeologist Yosef Garfinkel of the Hebrew University of Jerusalem. At first, scientists could not tell if the writing was Hebrew or some other local language.

Finally, Galil was able to decipher the text. He identified words particular to the Hebrew language and content specific to Hebrew culture to prove that the writing was, in fact, Hebrew.

"It uses verbs that were characteristic of Hebrew, such as asah ('did') and avad ('worked'), which were rarely used in other regional languages," Galil said. "Particular words that appear in the text, such as almanah ('widow') are specific to Hebrew and are written differently in other local languages."

The ancient text is written in ink on a trapezoid-shaped piece of pottery about 6 inches by 6.5 inches (15 cm by 16.5 cm). It appears to be a social statement about how people should treat slaves, widows and orphans. In English, it reads (by numbered line):

1' you shall not do [it], but worship the [Lord].
2' Judge the sla[ve] and the wid[ow] / Judge the orph[an]
3' [and] the stranger. [Pl]ead for the infant / plead for the po[or and]
4' the widow. Rehabilitate [the poor] at the hands of the king.
5' Protect the po[or and] the slave / [supp]ort the stranger.

The content, which has some missing letters, is similar to some Biblical scriptures, such as Isaiah 1:17, Psalms 72:3, and Exodus 23:3, but does not appear to be copied from any Biblical text.

LiveScience.com chronicles the daily advances and innovations made in science and technology. We take on the misconceptions that often pop up around scientific discoveries and deliver short, provocative explanations with a certain wit and style. Check out our science videos, Trivia & Quizzes and Top 10s. Join our community to debate hot-button issues like stem cells, climate change and evolution. You can also sign up for free newsletters, register for RSS feeds and get cool gadgets at the LiveScience Store.

Supertramp - School

Fantastic piece because they use everything from horns to flute and about 20 other instruments in this.

Rumor has or had it that didn't even intend to become a band (we all know what rumor is worth anyway), but that they were art students and they put together a musical piece as part of an art presentation. From there they were off.

The band is incredible in their diversity and use of instruments because back in that day you got little more than keys, cheap drum set and two guitars from most bands.



Bonus track.... "Hide in your shell"


Wednesday, January 13, 2010

Waiting, watching, remembering, amazed.

Waiting is the answer then, to watch is the action, to remember is the light on the experience. The amazement is the gift of the lessons we all have learned...

Dave Mason's cover of 40,000 headmen...



My favorite version off of the Welcome to the Canteen disk...

"The moon never beams without sharing the dreams of my beautiful Annabell Lee"

Annabell Lee <---- Edgar Allen Poe

Velvet Underground - After Hours

Waiting For The Miracle

Leonard Cohen,,,

Monday, January 11, 2010

The Mavericks - Live In Austin - What A Crying Shame

((((((((((((((((Nother Kat Post)))))))))))))))))))



If you liked that you'll probably like this one even more....



Dolly Parton - Jolene (High Quality) sound <---- only there for damn search engines

Sunday, January 10, 2010

Me

People say I'm a strange attack, conflict with everything I know.
People say the damdest things, I'd like to kill most that I've known.
Me? I nothing special you see.
I'm called a brute or tough on tougher terms.
Some, a few know the realest me, Barb yer one of them.
I fight and fight the world it seems because it doesn't agree with me.
Still I stand, I am a man and I defend what's inside me.
In brush with stain we turn pine into oak, or do we?
A fukkin lie is a fukkin lie and a liar needs to fall.
I'm nothing, I'm worthless. I disgrace even myself.
But I'll still fight or die fighting for what I know is to be right!

Nothing to the end of this, not a word nor sir, but a law is law, that's my only acceptance, My Lord and my only God!

Alvin Lee, Ten years after.

Alvin Lee (born Graham Barnes, 19 December 1944, Mansfield, England) is an English rock guitarist and singer. He began playing guitar at the age of 13, and with Leo Lyons formed the core of the band Ten Years After in 1960. Influenced by his parents' collection of jazz and blues records, it was the advent of rock and roll that truly sparked his interest and creativity, and guitarists like Chuck Berry and Scotty Moore provided his inspiration.

The Jaybirds, as Lee's early band was called from 1962, were popular locally, and had success at Star-Club in Hamburg, Germany (since that time lead guitarist Lee also took lead vocals), following The Beatles there the same year. But it was not until the band moved to London in 1966 and changed its name, first to Jaybird, dropping 'The' and 's' to make it sound more contemporary; then to Blues Yard (for one gig at the Marquee Club); and finally to Ten Years After (TYA), that international success beckoned. The band secured a residency at the Marquee Club, and an invitation to the Windsor Jazz & Blues Festival in 1967 led to their first recording contract. The self titled debut album surprisingly received play on San Francisco, California's underground radio stations and was enthusiastically embraced by listeners, including concert promoter Bill Graham, who invited the band to tour the United States for the first time in the summer of 1968. Audiences were immediately taken by Lee's distinctive, soulful, rapid fire guitar playing and the band's innovative mix of blues, swing jazz and rock, and an American love affair began.[citation needed] TYA would ultimately tour the U.S. twenty-eight times in seven years, more than any other UK band. (read the rest on Wiki's page [here], or don't, but it's worth a read)

Alvin Lee is just about the greatest guitarist out there. He does have one major fault though. He looks just like my brother Larry and sounds like him too. There was a time I played his music all the time. My brother would sing along to it sometimes because as I said they had the same voice almost.

That was a long time ago. 1988 My brother was hit by a car, spent about 5 years in a coma. I don't listen to Alvin Lee much anymore since then. I think once every couple years is all I can handle missing those days with my brother.

He is however one or the fastest guitarist this world has ever known in his field. Below I will post his Woodstock performance. I want you to notice that he played so fast that the camera couldn't record his technique. I am a photographer (half-assed) but I know light, film speed and shutter adjustments. When this was filmed it was done on high speed film, light was right and shutter was set for maximal speed, still he out-ran that camera.

Shhhh..... <---- one of the greatest albums ever made. Buy a copy, no download links this time, just sharing. You like it you go buy it like I did ten or more times. The Stomp Is the reason for this post. I just had to hear it this morning.

Bad Scene....

Two time mama...

Stoned woman...

Good mornin little schoolgirl...

If you should love me....

I don't know that you don't know my name....

The Stomp (best track on this album)

Woke up this morning...

End of post, Enjoy please?





Black Country Woman / Bron-Y-Aur Stomp

Best live versions I ever heard, May 30, 1977 Landover, Maryland, US Capital Center.